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Michael Dyck's Contradance Index LORs Pamphlets

Complex Vars 2017g SeLo 2017g
NumT 2016s NT & Math Crypto 2016g
LinA 2015t DfyQ 2015t
DfyQ 2015g (NO WEBPAGE) SeLo 2015g
Crypto 2014g SeLo 2013g
DfyQ 2013t SeLo 2013g Melrose Nemo Parade, 2015 Melrose Moon Parade, 2016

Easy contra dances

Simplicity Swing by Becky Hill.
[IMPROPER: Identify ONEs/TWOs, and direction of progression.]
Nbr bal&swing(4+12).
Circle left 3-places(8). Partner swing(8).
Long-lines(8). Ladies chain [to nbr](8).
Star-L 4-places(8). Next Nbr dosido(8).
OR: A2: Long-lines and Gents take partner back to Gents side(8). Partner swing(8).
VideoCameraJean Gorrindo | Celtic Spring. VideoCameraLinda Leslie, calling the give&take variant.

Al's Safeway Produce by Robert Cromartie.
Star-L all-the-way-around(8). Allemand-L nbr 1.5 (8).
Ladies allemand-R 1.5 (8). Partner swing(8).
Circle left 3-places(8). Nbr swing(8).
Long-lines(8). Star-R (merging to a star-L with new couple).
VideoCameraMartha Edwards | Echo Valley String Band.
VideoCameraJoy Greenwolfe | ? .

Broken Sixpence by Don Armstrong.
[IMPROPER: 3 dosido's]
[New] Nbr dosido(8). Gents dosido(8).
Ladies dosido(8). ONEs swing, face down the hall(8), step between TWOs.
Line4-DTHall, turn alone(6+2). Line4-UTHall, bend the line(6+2).
Circle left(8) [or Right-hand Star]. [Reverse] Left-hand Star(8).
VideoCameraInisheer Irish Dance | Contra from 15:58 till 21:22, Jonathan King calling | Waltz.
Band: Flying Turtles. At 21:30, Joe tries to steal my waltz partner. Unsuccessfully.

*  NBR balance&swing(4+12) [on the side].
*  Long-lines, roll-away while backing up(8).
ONEs swing, face down the hall(8), step between TWOs.

Cranky Ingenuity by Bill Olson.
[IMPROPER: Dosido as couples]
Circle-left(8). As couples, dosido nbr-couple(8).
Individually, nbr dosido(8). Swing nbr(8).
Gents allemand-L 1.5 (8). Partner Swing(8).
Circle-left 3/4 (8). Ring-balance(4). California Twirl(4), to face new nbrs.
VideoCameraMyra Hirschberg | Mike Ayles & David Boulanger.
VideoCameraAlice Morris.

Fidelity Reel by Bill Wellington.
[IMPROPER: Two gypsys]
Gypsy, then Nbr swing(8+8).
Long-lines(8). Gents allemand-L 1.5 (8).
Gypsy, then swing partner(8+8).
With partner, promenade across(8). Ladies chain(8).

Frederick Contra by Tom Hinds.
(“New”)Gents dosido(8). Ladies allemand-L 1.5, to change places(8).
Partner bal&swing(4+12).
DTHall line4, ONEs next to TWOs(6), turn as a couple(2). Come back UTHall(6), bend the line(2)...
...Circle left 3-places(8). Nbr swing(8). Gents look for new gent on L-diagonal.

Hay in the Barn by Chart Guthrie.
[IMPROPER:] Nbr Bal&Swing(4+12).
Ladies chain(8). Ladies start half-hey(8).
Partner Bal&Swing(4+12).
Ladies chain(8). Ladies start half-hey(8).
VideoCameraSeth Tepfer | Tim&Friends.
See also the “Roll in the Hey” medley.

Jefferson and Lincoln by Seth Tepfer.
[IMPROPER: 1's arch, then backing up]
Circle left(8). Circle right(8).
Star-R(8). Star-L(8).
Long-lines(8). ONEs&swing(8), in the middle.
Line4 DTHall, ONEs in the center(4). ONEs arch(4) [still facing down]. TWOs pop through(4) [facing up the hall]. All go up 2 by 2 [ONEs bkwards](4); ONEs are facing their new NBRs.

Judah Jig by Charlie Fenton.
[IMPROPER: Circle-into-star]
Bal&swing nbr(4+12).
Circle-left 3 places, swing partner(8+8).
Circle left(8). Hands-across R-hand star(8) [i.e, both in same dir].
Ladies chain to Nbr(8), L-hand star(8) to face new nbrs.

VideoCameraDave Harvey.
See “Roll in the Hey” medley. Bob Isaacs: “Charlie Fenton, of San Francisco, named this dance for the street on which the local contra dance was located.

Oak Hill Quickstep by Bob Nicholson.
[IMPROPER: 4-in-line, turn alone]
Down the hall, 4-in-line [ONEs in the center], turn alone(8); come on back, face nbr(8).
Bal&swing nbr(4+12).
Ladies chain(8), then chain on back(8).
Long lines(8). ONEs swing(8).

Slightly less Easy contra dances

Chainsaw Reel by Don Lennartson.
[BECKET: Huge oval circle]
[Same two] Ladies chain(8). Long lines(8); keep hands, and connect at the ends to make a huge oval.
Oval right(8) [“Ovaltine”]. Oval left(8) [“OvalTang”].
[Original foursomes] Circle-left(8). [C'mon back with a] Left-hand star(8) all the way around.
[Ladies look right and] Allemand-R the new nbr-lady coming toward you(8). Partner-swing(8), on the side.
VideoCameraJonathan King, Footloose. Called as no-walk-through. VideoCameraCaller? | Band?.

Sarah's Journey by Gene Hubert.
[IMPROPER: Contra-stretch; Fours far apart. No balance on box-the-gnat.]
Box-the-Gnat with Nbr(4); Gents pull-by L-hand to cross the set(4). Partner swing(8).
Circle left all-the-way(8); Dosido Partner(8).
Box-the-Gnat Partner(4); Ladies pull-by L-hand to cross the set(4). Nbr swing(8).
Rights-&-lefts across(8). Star-L all-the-way(8), to face new Nbrs.
VideoCameraJo Morland | Stringdancer. VideoCameraWilliam Watson | Joyride.

The Cure for the Claps by Bob Isaacs.
Ring-bal, petronella(4+4), partner swing(8).
Ring-bal, petronella(4+4), nbr swing(8).
DTHall line4 [ONEs in the center], turn alone(6+2), UTHall, bend line(6+2). 4-by-4 go down the floor
Circle left all the way(8). Ring-bal(4), Cal-twirl(4).
VideoCameraBob Isaacs | Crowfoot. See 4:20-4:42.
VideoCameraJonathan King | Flying Turtles. Contra till 2:53, then a waltz.

Chain the Hey by Becky Hill.
Nbr dosido, then swing(8+8).
Gents allemand-L 1.5, partner swing(8+8). [short swing]
With partner, promenade across(8). Rights-and-lefts across(8).
Ladies start half-hey(8), to Ladies chain(8). [Turn to face new nbrs]
VideoCameraDavid Keller | Playing with Fire.

Seth: Good 4th dance.

Delphiniums and Daisies by Tanya Rotenberg.
Nbr allemand-L 1.5 (8). Ladies chain(8).
Ladies start a full-hey(16).
Partner Bal&Swing(4+12).
Circle-left 3-places(8). Nbr allemand-R 1.5 (8).
VideoCameraLisa Greenleaf | Great Bear Trio.
VideoCameraDave Harvey. At 2:21 a dancer plays spoons

Heartbeat Contra by Don Flaherty.
Bal-the-ring then petronella(8). Bal-the-ring, petronella(8).
Bal-the-ring(4). Nbr swing(12) on the side.
Ladies gypsy 1.5 in the middle(8), partner swing(8) on the side.
Circle-left 3-places(8). Ring-bal(4), California twirl(4).
VideoCameraHank Morris | Contraversial.

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