[IMPROPER:]
(“New”)Gents dosido(8). Ladies allemand-L 1.5, to change places(8).
Partner bal&swing(4+12).
DTHall line4, ONEs next to TWOs(6), turn as a couple(2). Come back UTHall(6), bend the line(2)...
...Circle left 3-places(8). Nbr swing(8). Gents look for new gent on L-diagonal.

[IMPROPER:]
Bal-the-ring then petronella(8). Bal-the-ring, petronella(8).
Bal-the-ring(4). Nbr swing(12) on the side.
Ladies  1.5 in the middle(8), partner swing(8) on the side.
Circle-left 3-places(8). Ring-bal(4), California twirl(4).
Hank Morris | Contraversial.

[Circle-mixer waltz: Couples start in circle, Lady-on-the-right]
All fwd (2 measures), all back (2). Circle left(4).
All fwd (2), all back (2). Half sashay to trade places with partner [lady sliding left in front](2). Say farewell and then courtesy turn the next lady(2).
Promenade this new partner(4), end facing partner [Gents facing out]. Back away from partner, Gents backing toward the center(2), balance R&L [yeminite](2).
Come forward, partners do-si-do(4). Waltz with partner(4), end by opening up to face center.
Smukler writes: The half sashay at the end of the A-part is not intended to include a roll away; both people slide. The courtesy turn can be a wide looping movement; it should flow into the promenade.

[IMPROPER: Identify DIR-of-PROG(!) for the ]

Nbr bal&swing(4+12).
Pass through to an ocean wave(4) [“pass the ocean”], bal-the-wave(4). Everyone spin/slide right, with Gents sliding past two people to snag L-hands(3); Gents L-allemand to face partner(5).
Partner bal&swing(4+12).
Ladies dosido 1.5(8). current nbr(8), to face new nbr.
Nils Fredland | Perpetual e-Motion. Charlie Dyer | Briarpickers.

[BECKET: The Earthquake! shakes you from the-one-you're-swinging to swinging-the-next. (Triple-Swing version, single-progression.)]
[Before becketizing: Id DIR-PROG. Pass through up-down, takes hands4 with the next; these are your current nbrs. Your Previous nbrs are behind you. Now BECKETIZE.]

Star-R 3-places(8). With new couple “your previous nbrs”, star-L all-the-way(8).

[Face orig. Nbr; ONEs down, TWOs up]  Square-Through [Nbr R-hand bal and pull-by(4+2); w.prtnr L-hand pull-by across(2); w.nbr R-hand bal and pull-by(4+2); w.prtnr pull-by across(2)], to face current nbr. In this Square-Through: Gents always turn right, ladies turn left.

Swing curr.nbr(8). “Earthquake! You swing the next!” Face away from the-one-you-swung, and swing the next(8) [in your Dir-Prog.].

Circle-left 3-places(8). Partner swing(8).

Written for my Cocoa Beach friend, Andreas. First called at his dance.

[BECKET: Slide-left to Ladies chain.]
[New] Ladies chain(8), into Mad-Robin(8) [Ladies slide-L in front of NBR].
Ladies pass right to start a full hey (8+8).
Ladies cross the set, passing right shoulders, to swing partner(4+12).
Long-lines(8). Circle left all way, then Slide-Left to new NBRs(8).
Jonathan King (no-walk-through) | Montage.
Jolaine Jones-Pokorney | Barnstorm.
Posted on the Callers mailing list was: “The published choreography has B1 as pass rt shoulder to gypsy partner, then swing.”

[IMPROPER:]
With nbr, Bal&Swing(4+12).
R-hands-across--Star 1x (8). Ladies chain [to partner](8).
Ladies dosido(8). Partner swing(8).
Circle-left 3-places and pass thru(6+2), next nbr dosido(8).

[BECKET: Hands-in-long-lines-oval, face partner, look past; there is your shadow. Tune with energetic B1, B2. Wizard's Walk works well.]
End Effect: When you go out on the traveling turn, end reversed with the Lady on the Left. After the shadow-swing, the partner-swing puts the Lady on the Right.

[“Travel-left”: W.partner, traveling 2-hand-Clockwise-turn (or traveling-swing, or just Slide-L) to new nbrs, where...]
Gents start a (L-shoulder) Full-hey(16).

[Halfway-] partner(4), swing shadow(12).

Partner swing on the side(8) [where you started].
Circle left halfway(4), roll away NBR [with a half sashay] across the set(4).

Circle left halfway, roll partner away [with a half sashay] along the Side(4+4). Circle left halfway(4), and Travel-left(4) along the set to face new nbrs.

Uses the second half of Orace Johnson's wonderful Du Quoin Races. Below is an Alternate version, where the Ladies start the hey.

[IMPROPER: Face across]
Ladies walk forward to a wavy-line in the middle(4); bal R-L(4). [Ladies fall back] Gents fwd to wavy-line(4); bal R-L(4).
Gents allemand-L 3-places(6) into a wave-across [nbr in R-hand]; bal R(2). Nbr swing(8).
Gents allemand-L 1.5 (8); swing partner(8).
Rights-and-lefts across(8). Ladies chain(8).
Caller? | Band?.

[IMPROPER: Double-progression. 3 sets of nbrs]
Lefthand star(8) [sugg.: wrist-grip star]. [Reverse] Circle-left(8).
[Hang on to your partner] Veer left around NBRs#1, veer right around NBRs#2 (4+4). [As individuals] DoSiDo your nbr#3 (8).
[Look behind you] Bal&Swing(4+12) nbr#2.
Long lines(8). Actives swing(8) [“One's swing, Two's frame”.]
[Is this caller Tony Parkes?].

[IMPROPER: Identify gent's home side]
[R-L-Grand] Nbr1 pull-by R, nbr2 pull-by L, nbr3 pull-by R (2+2+2). Nbr4 allemande-L, nbr3 pull-by R, nbr2 pull-by L(6+2+2).
[When you go out on the star, immediately face your partner (don't change places), give R-hand to partner, and pull-by in the R-L-Grand. When you return, the nbr1-swing (i.e partner swing) will put the lady on the right].

Nbr1 bal&swing(4+12).
Circle-L 3-places(6). Partner swing(10) [on Gent's home side].
Ladies chain to Nbr1 (8). Star-L [all the way round](8).
George Marshall | Wild Asparagus.
(private home) | Heather and Claire.

[IMPROPER:]
Nbr Bal&Swing(4+12).
Gents Allemand-left 1.5 (8). Partner swing(8).
With partner, promenade across(8). Ladies chain(8).
[Face partner] Square-Through [Across the set: Prtnr R-hand bal and pull-by(4+2); w.nbr L-hand pull-by(2); w.prtnr bal and pull-by(4+2); w.nbr pull-by(2)], to face new NBR. Gents always turn right, ladies turn left.
Beth Molaro | Appalachian Storm.