Goto: Prof. King's page at Univ. of Florida.    Or: JK Homepage.

Modified: Sunday, 01Mar2020     Printed: Saturday, 08Aug2020

Page: http://squash.1gainesville.com/Include/thispage.shtml

Contradance | Calling 2013

What do I look like?, you wonder…   –See Ladies with a dip

At Vernals2012, I'm calling a no-walk-through Three Ceremonies with a flowing tune from Montage.

From Vernals2011, a no-walk-through Chainsaw Reel with a high-energy tune from Footloose. (Version on facebook)

Barnstorm is playing a smooth tune, while I call Sweet Music , at UFCC (the Univ. of Florida Contra Club) on 28Aug2011.

The Flying Turtles play while I call The Cure for the Claps [waltz at 2:55] , at O'Leno.

Gigs for 2013 are below. A memorable gig from 2011 was the End of the World dance dance.

For the curious, here is an animation which parodies contra dancers/callers. And the cheerful sequel.

Dance

Contra dancing

Most Boltin/O'Leno photos on this page are from one of Dave Pokorney's Galleries.

Erin and I have been contra dancing a long time, and both our kids danced in the womb. Further down the page is a photo of our son, Isaac, acting as videographer when I was calling.

Here (on left) is a lovely photo (from the 7 Feb, 2010, Boltin contra dance) of daughter Ruth and wife Erin. On right, Ruth is promenading with our good friend Cydney.

Three regular local (Gainesvillish) contradances

• The GODS [Gainesville Oldtime Dance Society] has a dances each month on the: 1^st Sunday (4PM to 7PM), and 3^rd Saturday (8PM to 11PM), and [for every month with five Sundays] an AdvancedDance (no teaching session, fewer walk-thrus, trickier dances) on the 5^th Sunday (4PM to 7PM). These are at the Thelma Boltin Center, 516 NE 2nd Avenue, Gainesville [Tel.: (352) 334-2189]. See the GODS dance calendar for callers, bands, and venue-changes. The Calendar also lists (see below) the Melrose and UF dances. (N.B. The O'Leno dance is no more, due to insect damage to the floor.)

  A video of a GODS dance with Diane-Silver and Perpetural e-Motion Feb. 6, 2011:

• The (Univ. of Florida) UF Contra Club holds dances in the Reitz Union (Rion Ballroom) on the UF campus. [Schedule]. (There is a video of the 27March2011 dance with Ron Buchanon and Moving Violations.)
• The Melrose Shake Rag Contra Dance, 2^nd Fri. 7:30-10 PM. Ron Buchanon calling at the Melrose Contradance .

Although dances and tunes are listed cryptically, below, my Dances/Composers page has Composers/videos with links to composers' webpages, and links to videos and written descriptions of the dances.

There is also a list of Tunes and Contradance Bands and of the dances I've composed.

2013 Feb 16, Sat., 8PM–11PM: Called the GODS Boltin Center dance, with Dunehoppers: Allen Hood, Kathy Zemanek, Bob Parsons, Mac Benford, and Mike Elias.

My planned program (with steps), is slightly different from...
...what I actually called:

Frederick Contra by Tom Hinds.

[IMPROPER:]
(“New”)Gents dosido(8). Ladies allemand-L 1.5, to change places(8).
Partner bal&swing(4+12).
DTHall line4, ONEs next to TWOs(6), turn as a couple(2). Come back UTHall(6), bend the line(2)...
...Circle left 3-places(8). Nbr swing(8). Gents look for new gent on L-diagonal.

Mad Scatter by Rick Mohr.

[Scatter mixer: Couples in 4-somes or 6-somes or 8-somes]
Circle left(8). Dosido nbr(8).
Allemand-R partner 1.5 [sending ladies in](8). Ladies star-L, while Gents orbit CW(8).
Bal&swing new partner(4+12).
Promenade anywhere with new partner(16) [Find another group to circle with].
Any number of couples can be in the circle left, ditto the star-L.

Snow Dance by Gene Hubert.

[IMPROPER: Shadows. Teaching: Pass-through one-couple so that folks have a couple to look for. (As usual, put lady on right.)]
[New nbrs, hand-4] Ring-balance(4), then ladies trade places passing R-shoulder(4). Ring-bal(4), with nbr California twirl [to face a new couple].
With new couple circle-left(8) [gents, your shadow is in your L-hand]. L-hand star(8). No one there?: Dance with ghost couple. OR, turn alone, wait with Gent on the RIGHT.
With partner bal&swing(4+12).
Rights-and-lefts across(8). Ladies chain(8).
Ruth Pershing. Darlene Underwood | Hotpoint.

(Irish (or Jig) Potatoes | Across a crowded room)

Labor of Love by Kathy Anderson.

[IMPROPER: Alternating 1s/2s Contra Corners. Note DIR-PROG.]
Nbr bal&swing(4+12).
Long-lines(8). ONEs/TWOs R-hand balance across the set, Box-the-Gnat(4+4). [Gnat puts all the Gents on one rail, Ladies on the other]
ONEs/TWOs turn Contra Corners(4+4+4+4).
ONEs/TWOs bal&swing(4+12); End that swing facing original Dir-Prog. [Push apart to step to opposite rails, to face a new nbr].
Adina Gordon | Crowfoot. In Quebec.
Karen Jackson | Playing with Fire.

(Firefly)

Hey on the fritz by Jonathan King.

[BECKET: [First, memorize DIR-PROG, to find new NBRs, for RH_star. Now Becketize, hands in long lines, join at ends to make a huge Oval. Partner in one hand, Shadow in the other.]

R-star all-the-way-around (8). Ladies look left to find Shadow. Shadow L-allemand(8).
Partner bal&swing(4+12).
Ladies chain(8). Ladies start half-hey(8). [As Gents finish crossing the set, melt into a...]
...Nbr swing(8). Gents “Left-shoulder Hey” [a half-hey](8). Gents pass L-shoulder, then R-shoulder with partner, then looks right, and sticks out R-arm, ready for the star-R with new nbrs. Each Lady passes R-shoulder w.partner, then does a with the other lady, till she sees her partner's back; hook on to him and make a R-hand star with New Nbrs.
A modification of: The Ritz by Gene Hubert.

A video of the dance being developed, to recorded music by Groovemongers:
2nd run (JK calling/dancing); taught as Becket dance, 24Aug2014.
1st run; taught as Improper dance, 27July2014.

Wizard's Walk by Ruth Ungar.

[IMPROPER: Do the Contra Stretch! Hands4, identify ONEs, and DIR-PROG.]
Circle left halfway, ring-balance(4+4). Circle left halfway, ring-balance(4+4).
In your rings-of-four, starting on the side: Square-Through 4 places [R-to-Nbr, L-to-partner, R-to-Nbr, L-to-partner](2+2+2+2) . Nbr 1.5(8) on the side, to progress.
Partner bal&swing(4+12) this swing is across the set, so needs extra room. End facing original-dir [facing away from the couple you have been dancing with].
Wizard's walk: Sliding doors. ONEs separate and go down outside TWOs, meet and continue down to split next TWOs;
Reverse. ONEs now separate and back-up outside those TWOs, meet and back-up through previous TWOs, ready to form the circle to start the dance again [TWOs should oscillate in and out to make room] [Lizard walk variant: the TWOs can move up the set and back to share the work with the ONEs.]
ONEs prog. off the bottom, prtnr-swing across the set, end facing UP, becoming TWOs. There'll be TWOs in front of you. Some ONEs will go around them, then split you.
Ted Steele | ?. At Scout house.

(Star above the garter)
Waltz and Break.

---

Second half:

Small Potatoes by Jim Kitch.

[IMPROPER:]
With nbr, Bal&Swing(4+12).
R-hands-across--Star 1x (8). Ladies chain [to partner](8).
Ladies dosido(8). Partner swing(8).
Circle-left 3-places and pass thru(6+2), next nbr dosido(8).

Major Hey by Erik Hoffman.

[4-FACING-4, Becket. (Take hands4 with couple in front of you, turn it one click to the left.) Before becketizing, identify your “Travel Buddies ” in your short line4. Crooked tune, 16×5=80 beats]
Circle left 3-places(6), Face up and down Pass thru and swing the next to a new set(2), to Swing your new nbr(8). [End in BECKET, facing partner, next to nbr, in two groups-of-four.]
[Four] Long lines, fwd&back(8). Gents allemand-L 1.5 into(8)… a long Wavy line of eight folk, your partner in your R-hand.
Rory O'More [wavy-bal, R-L, slide right catch L-hands, bal L-R, slide left, snag R-hands](4+4+4+4).
Partner Pull-by, Hey! Major [or Half] Hey-for-Eight(16). Keep on going till you see your Partner.
Partner bal&swing(4+12); end in Becket formation. Face that other couple!
Cis Hinkle | Band? .

(Texas Gals/Gails)

Friday Night Fever by Tony Parkes.

[IMPROPER:]
Nbr Bal&Swing(4+12).
Gents Allemand-left 1.5 (8). Partner swing(8).
With partner, promenade across(8). Ladies chain(8).
[Face partner] Square-Through [Across the set: Prtnr R-hand bal and pull-by(4+2); w.nbr L-hand pull-by(2); w.prtnr bal and pull-by(4+2); w.nbr pull-by(2)], to face new NBR. Gents always turn right, ladies turn left.
Beth Molaro | Appalachian Storm.

Weave the Line by Kathy Anderson.

[IMPROPER: Double-progression. 3 sets of nbrs]
Lefthand star(8) [sugg.: wrist-grip star]. [Reverse] Circle-left(8).
[Hang on to your partner] Veer left around NBRs#1, veer right around NBRs#2 (4+4). [As individuals] DoSiDo your nbr#3 (8).
[Look behind you] Bal&Swing(4+12) nbr#2.
Long lines(8). Actives swing(8) [“One's swing, Two's frame”.]
[Is this caller Tony Parkes?].

    As a medley: (No walkthrough.)

Chainsaw Reel by Don Lennartson.

[BECKET: ID-dir-prog, THEN Becketize! Huge oval circle. ]
[Same two] Ladies chain(8). Long lines(8); keep hands, and connect at the ends to make a huge oval.
Oval right(8) [“Ovaltine”]. Oval left(8) [“OvalTang”].
[Original foursomes] Circle-left(8). [C'mon back with a] Left-hand star(8) all the way around [Gent in front of his partner].
[Ladies look right and] Allemand-R the new nbr-lady coming toward you(8). Partner-swing(8), on the side.
Jonathan King, Footloose. Called as no-walk-through. Caller? | Band?.

---

Three Ceremonies by Adriane Moser.

[BECKET: Slide-left to Ladies chain.]
[New] Ladies chain(8), into Mad-Robin(8) [Ladies slide-L in front of NBR].
Ladies pass right to start a full hey (8+8).
Ladies cross the set, passing right shoulders, to swing partner(4+12).
Long-lines(8). Circle left all way, then Slide-Left to new NBRs(8).
Jonathan King (no-walk-through) | Montage.
Jolaine Jones-Pokorney | Barnstorm.
Posted on the Callers mailing list was: “The published choreography has B1 as pass rt shoulder to gypsy partner, then swing.”

---

Then back to Chainsaw Reel.

2013 June 15, Sat., 7:30PM–10:30PM (teaching@7PM): Called the Venice, FL, dance Bilberry Beau: Sherry Lowe (fiddle), Greg Engelhardt (keyboard), Sarah Mitchell (flute).

There were many enthusiatic beginners and so (Joe had kindly lent me his cordless headset) I danced most of the dances while calling, and my planned program (with steps), differs from...
...what I actually called:

Frederick Contra by Tom Hinds.

[IMPROPER:]
(“New”)Gents dosido(8). Ladies allemand-L 1.5, to change places(8).
Partner bal&swing(4+12).
DTHall line4, ONEs next to TWOs(6), turn as a couple(2). Come back UTHall(6), bend the line(2)...
...Circle left 3-places(8). Nbr swing(8). Gents look for new gent on L-diagonal.

Mad Scatter by Rick Mohr.

[Scatter mixer: Couples in 4-somes or 6-somes or 8-somes]
Circle left(8). Dosido nbr(8).
Allemand-R partner 1.5 [sending ladies in](8). Ladies star-L, while Gents orbit CW(8).
Bal&swing new partner(4+12).
Promenade anywhere with new partner(16) [Find another group to circle with].
Any number of couples can be in the circle left, ditto the star-L.

Snow Dance by Gene Hubert.

[IMPROPER: Shadows. Teaching: Pass-through one-couple so that folks have a couple to look for. (As usual, put lady on right.)]
[New nbrs, hand-4] Ring-balance(4), then ladies trade places passing R-shoulder(4). Ring-bal(4), with nbr California twirl [to face a new couple].
With new couple circle-left(8) [gents, your shadow is in your L-hand]. L-hand star(8). No one there?: Dance with ghost couple. OR, turn alone, wait with Gent on the RIGHT.
With partner bal&swing(4+12).
Rights-and-lefts across(8). Ladies chain(8).
Ruth Pershing. Darlene Underwood | Hotpoint.

(The end-effect was too challenging to the beginners, and so I regretfully subbed this out.)

Chainsaw Reel by Don Lennartson.

[BECKET: ID-dir-prog, THEN Becketize! Huge oval circle. ]
[Same two] Ladies chain(8). Long lines(8); keep hands, and connect at the ends to make a huge oval.
Oval right(8) [“Ovaltine”]. Oval left(8) [“OvalTang”].
[Original foursomes] Circle-left(8). [C'mon back with a] Left-hand star(8) all the way around [Gent in front of his partner].
[Ladies look right and] Allemand-R the new nbr-lady coming toward you(8). Partner-swing(8), on the side.
Jonathan King, Footloose. Called as no-walk-through. Caller? | Band?.

---

Waltz and Break.

---

Small Potatoes by Jim Kitch.

[IMPROPER:]
With nbr, Bal&Swing(4+12).
R-hands-across--Star 1x (8). Ladies chain [to partner](8).
Ladies dosido(8). Partner swing(8).
Circle-left 3-places and pass thru(6+2), next nbr dosido(8).

Friday Night Fever by Tony Parkes.

[IMPROPER:]
Nbr Bal&Swing(4+12).
Gents Allemand-left 1.5 (8). Partner swing(8).
With partner, promenade across(8). Ladies chain(8).
[Face partner] Square-Through [Across the set: Prtnr R-hand bal and pull-by(4+2); w.nbr L-hand pull-by(2); w.prtnr bal and pull-by(4+2); w.nbr pull-by(2)], to face new NBR. Gents always turn right, ladies turn left.
Beth Molaro | Appalachian Storm.

Lordags Waltz.

[Circle-mixer waltz: Couples start in Varsouvienne psn, in a circle of couples, with the gents on the inside.]
F:=Fwd. Pattern: FBFF×4.
Danced 0:06.

(Although we only had 5 couples, this went very nicely.)

Jefferson and Lincoln by Seth Tepfer.

[IMPROPER: 1's arch, then backing up]
Circle left(8). Circle right(8).
Star-R(8). Star-L(8).
Long-lines(8). ONEs&swing(8), in the middle.
Line4 DTHall, ONEs in the center(4). ONEs arch(4) [still facing down]. TWOs pop through(4) [facing up the hall]. All go up 2 by 2 [ONEs bkwards](4); ONEs are facing their new NBRs.

(It was late, last dance of the evening, and there were only 7 dancers remaining. So I danced, making 2 foursomes. But this meant that every second time, half the people were out. So I had the #1couple that had flowed off the bottom, scurry up to the top. This worked. But now, all #1s stayed #1s, ditto #2s. So I played with the circle-lefts, sometimes making it halfway, so that we keep switching roles, and everyone got to swing.)

2013 July 20, Sat., 8PM–11PM: Called the GODS Boltin Center dance, with Goosebumps. My intended program changed a little, to this:

Snow Dance by Gene Hubert.

[IMPROPER: Shadows. Teaching: Pass-through one-couple so that folks have a couple to look for. (As usual, put lady on right.)]
[New nbrs, hand-4] Ring-balance(4), then ladies trade places passing R-shoulder(4). Ring-bal(4), with nbr California twirl [to face a new couple].
With new couple circle-left(8) [gents, your shadow is in your L-hand]. L-hand star(8). No one there?: Dance with ghost couple. OR, turn alone, wait with Gent on the RIGHT.
With partner bal&swing(4+12).
Rights-and-lefts across(8). Ladies chain(8).
Ruth Pershing. Darlene Underwood | Hotpoint.

Called while dancing

Frederick Contra by Tom Hinds.

[IMPROPER:]
(“New”)Gents dosido(8). Ladies allemand-L 1.5, to change places(8).
Partner bal&swing(4+12).
DTHall line4, ONEs next to TWOs(6), turn as a couple(2). Come back UTHall(6), bend the line(2)...
...Circle left 3-places(8). Nbr swing(8). Gents look for new gent on L-diagonal.

Called while dancing

Friday Night Fever by Tony Parkes.

[IMPROPER:]
Nbr Bal&Swing(4+12).
Gents Allemand-left 1.5 (8). Partner swing(8).
With partner, promenade across(8). Ladies chain(8).
[Face partner] Square-Through [Across the set: Prtnr R-hand bal and pull-by(4+2); w.nbr L-hand pull-by(2); w.prtnr bal and pull-by(4+2); w.nbr pull-by(2)], to face new NBR. Gents always turn right, ladies turn left.
Beth Molaro | Appalachian Storm.

Small Potatoes by Jim Kitch.

[IMPROPER:]
With nbr, Bal&Swing(4+12).
R-hands-across--Star 1x (8). Ladies chain [to partner](8).
Ladies dosido(8). Partner swing(8).
Circle-left 3-places and pass thru(6+2), next nbr dosido(8).

As no-walk-through

Wizard's Walk by Ruth Ungar.

[IMPROPER: Do the Contra Stretch! Hands4, identify ONEs, and DIR-PROG.]
Circle left halfway, ring-balance(4+4). Circle left halfway, ring-balance(4+4).
In your rings-of-four, starting on the side: Square-Through 4 places [R-to-Nbr, L-to-partner, R-to-Nbr, L-to-partner](2+2+2+2) . Nbr 1.5(8) on the side, to progress.
Partner bal&swing(4+12) this swing is across the set, so needs extra room. End facing original-dir [facing away from the couple you have been dancing with].
Wizard's walk: Sliding doors. ONEs separate and go down outside TWOs, meet and continue down to split next TWOs;
Reverse. ONEs now separate and back-up outside those TWOs, meet and back-up through previous TWOs, ready to form the circle to start the dance again [TWOs should oscillate in and out to make room] [Lizard walk variant: the TWOs can move up the set and back to share the work with the ONEs.]
ONEs prog. off the bottom, prtnr-swing across the set, end facing UP, becoming TWOs. There'll be TWOs in front of you. Some ONEs will go around them, then split you.
Ted Steele | ?. At Scout house.

---

Waltz and Break.

---

Oval-teen by Jonathan King. (July 2013)

[BECKET: At A2, explain the pattern: Gents allemand-L, oval-right; Ladies allemand-R, oval-left. In counting couples, count your own couple, when appropriate.]

[Slide-left to New Nbrs to...] Circle left 3-places(8). Nbr swing(8).
Gents allemand-L(8) [back to place].   Oval-right(8).
[You are across from your Partner, and same-gender Nbr; they are couple #1. Oval-R to past couple #2, #3, #4, and as you get to couple #5... (opposite gender in #5 is your “Distant Shadow”) Gents stop, Ladies get ready to...]
Ladies R-allemand with Lady #5 (8). Oval-left(8) [back to your original four-some, facing your Partner].
Circle left 3-places(8). Partner swing, and Slide-Left to face new Nbrs(8).
Written for my teen, Ruth, when she was 12, while driving to pick her up from Adventure Camp.

Written for my daughter, Ruth

Major Hey by Erik Hoffman.

[4-FACING-4, Becket. (Take hands4 with couple in front of you, turn it one click to the left.) Before becketizing, identify your “Travel Buddies ” in your short line4. Crooked tune, 16×5=80 beats]
Circle left 3-places(6), Face up and down Pass thru and swing the next to a new set(2), to Swing your new nbr(8). [End in BECKET, facing partner, next to nbr, in two groups-of-four.]
[Four] Long lines, fwd&back(8). Gents allemand-L 1.5 into(8)… a long Wavy line of eight folk, your partner in your R-hand.
Rory O'More [wavy-bal, R-L, slide right catch L-hands, bal L-R, slide left, snag R-hands](4+4+4+4).
Partner Pull-by, Hey! Major [or Half] Hey-for-Eight(16). Keep on going till you see your Partner.
Partner bal&swing(4+12); end in Becket formation. Face that other couple!
Cis Hinkle | Band? .

Sweet Music by Amy Kahn.

[IMPROPER: Scoop the Lady]
Gents left allemand(8) once around, and keep going. Scoop your partner [to cross the set] and Butterfly Whirl(8).
Ladies start a full hey(16).
[As gents come back to their partner] Partner bal&swing(4+12).
Rights&Lefts across the set [courtesy turn](8), gent roll-away the Lady, R-hand star(8). [“Gents look left allemand.”]
Jonathan King | Barnstorm.
Caveman by Jim Hemphill, is similar.

Weave the Line by Kathy Anderson.

[IMPROPER: Double-progression. 3 sets of nbrs]
Lefthand star(8) [sugg.: wrist-grip star]. [Reverse] Circle-left(8).
[Hang on to your partner] Veer left around NBRs#1, veer right around NBRs#2 (4+4). [As individuals] DoSiDo your nbr#3 (8).
[Look behind you] Bal&Swing(4+12) nbr#2.
Long lines(8). Actives swing(8) [“One's swing, Two's frame”.]
[Is this caller Tony Parkes?].

Called while dancing
Waltz

2013 Aug 03, Sat., 8PM–11PM: Called the Cocoa Beach dance with Barnstorm.

My planned program (with steps), differs slightly from what I actually called:

The Cure for the Claps by Bob Isaacs.

[IMPROPER:]
Ring-bal, petronella(4+4), partner swing(8).
Ring-bal, petronella(4+4), nbr swing(8).
DTHall line4 [ONEs in the center], turn alone(6+2), UTHall, bend line(6+2). 4-by-4 go down the floor
Circle left all the way(8). Ring-bal(4), Cal-twirl(4).
Bob Isaacs | Crowfoot. See 4:20-4:42.
Jonathan King | Flying Turtles. Contra till 2:53, then a waltz.

Small Potatoes by Jim Kitch.

[IMPROPER:]
With nbr, Bal&Swing(4+12).
R-hands-across--Star 1x (8). Ladies chain [to partner](8).
Ladies dosido(8). Partner swing(8).
Circle-left 3-places and pass thru(6+2), next nbr dosido(8).

As no-walk-through

Beneficial Tradition by Dan Pearl.

[BECKET: Double progression.]

(New) Ladies L-allemand(8), and swing partner(8).
Circle left 3-places(8). Nbr swing(8).
Ladies chain(8). Long-lines(8). [All are home now.]
Zig-Zag! [Four pull-bys, double progressing. The lady is paralleling her partner, sort-of looking at his back.]
(across)Pull-by-LEFT with current Nbr (Whoop!).
(R-diag)Pull-by-R with next Same-gender (Whoop!).
Pull-by-Left with next Opp-gender (Whoop!)
Pull-by-R with next Same-gender (Whoop!).
[Now: New-Lady L-allemand, NOT the one she just pulled-by with.] .
[End: If no-one offers you a hand, stay put. Gents, when your partner is free for L-pull-by, then pull-by-L with partner.] [If extra couple at bottom, they line up becket, ready for the pull-by-R.]
The orig. choreography has A1: Allemand 1x(4), a bal-the-wave(4), swing(8). This is too rushed.
Ryan Smistopher | Atcher, Beck, and Kahl.

Ted's Triplet #7 by Ted Sannella.

[Triplet, PROPER: Couples #1 (also called Active couple) #2#3]    abc
123

Top two couples turn partner by-the-R 1.5(8) 12c
ab3. Top two couples rights-and-lefts across(8) bac
213.

Active-couple [in middle place] turn contra-corners(4+4+4+4).

Active-couple bal&swing(4+12), end facing up, in middle bac
213.

Original active-couple lead up to the top and cast [around the outside] to the bottom(8). [Other couples scootch up a bit] All dosido partner(8) bca
231.

Dave Bateman. Seq. can be clearly viewed a 1:15.

Oval-teen by Jonathan King. (July 2013)

[BECKET: At A2, explain the pattern: Gents allemand-L, oval-right; Ladies allemand-R, oval-left. In counting couples, count your own couple, when appropriate.]

[Slide-left to New Nbrs to...] Circle left 3-places(8). Nbr swing(8).
Gents allemand-L(8) [back to place].   Oval-right(8).
[You are across from your Partner, and same-gender Nbr; they are couple #1. Oval-R to past couple #2, #3, #4, and as you get to couple #5... (opposite gender in #5 is your “Distant Shadow”) Gents stop, Ladies get ready to...]
Ladies R-allemand with Lady #5 (8). Oval-left(8) [back to your original four-some, facing your Partner].
Circle left 3-places(8). Partner swing, and Slide-Left to face new Nbrs(8).
Written for my teen, Ruth, when she was 12, while driving to pick her up from Adventure Camp.

Friday Night Fever by Tony Parkes.

[IMPROPER:]
Nbr Bal&Swing(4+12).
Gents Allemand-left 1.5 (8). Partner swing(8).
With partner, promenade across(8). Ladies chain(8).
[Face partner] Square-Through [Across the set: Prtnr R-hand bal and pull-by(4+2); w.nbr L-hand pull-by(2); w.prtnr bal and pull-by(4+2); w.nbr pull-by(2)], to face new NBR. Gents always turn right, ladies turn left.
Beth Molaro | Appalachian Storm.

---

Waltz and Break.

---

Not all Earthquakes are Andreas' Fault by Jonathan King. (July 2013)

[BECKET: The Earthquake! shakes you from the-one-you're-swinging to swinging-the-next. (Triple-Swing version, single-progression.)]
[Before becketizing: Id DIR-PROG. Pass through up-down, takes hands4 with the next; these are your current nbrs. Your Previous nbrs are behind you. Now BECKETIZE.]

Star-R 3-places(8). With new couple “your previous nbrs”, star-L all-the-way(8).

[Face orig. Nbr; ONEs down, TWOs up]  Square-Through [Nbr R-hand bal and pull-by(4+2); w.prtnr L-hand pull-by across(2); w.nbr R-hand bal and pull-by(4+2); w.prtnr pull-by across(2)], to face current nbr. In this Square-Through: Gents always turn right, ladies turn left.

Swing curr.nbr(8). “Earthquake! You swing the next!” Face away from the-one-you-swung, and swing the next(8) [in your Dir-Prog.].

Circle-left 3-places(8). Partner swing(8).

Written for my Cocoa Beach friend, Andreas. First called at his dance.

Written to thank Andreas G. for his warm hospitality.

Weave the Line by Kathy Anderson.

[IMPROPER: Double-progression. 3 sets of nbrs]
Lefthand star(8) [sugg.: wrist-grip star]. [Reverse] Circle-left(8).
[Hang on to your partner] Veer left around NBRs#1, veer right around NBRs#2 (4+4). [As individuals] DoSiDo your nbr#3 (8).
[Look behind you] Bal&Swing(4+12) nbr#2.
Long lines(8). Actives swing(8) [“One's swing, Two's frame”.]
[Is this caller Tony Parkes?].

Major Hey by Erik Hoffman.

[4-FACING-4, Becket. (Take hands4 with couple in front of you, turn it one click to the left.) Before becketizing, identify your “Travel Buddies ” in your short line4. Crooked tune, 16×5=80 beats]
Circle left 3-places(6), Face up and down Pass thru and swing the next to a new set(2), to Swing your new nbr(8). [End in BECKET, facing partner, next to nbr, in two groups-of-four.]
[Four] Long lines, fwd&back(8). Gents allemand-L 1.5 into(8)… a long Wavy line of eight folk, your partner in your R-hand.
Rory O'More [wavy-bal, R-L, slide right catch L-hands, bal L-R, slide left, snag R-hands](4+4+4+4).
Partner Pull-by, Hey! Major [or Half] Hey-for-Eight(16). Keep on going till you see your Partner.
Partner bal&swing(4+12); end in Becket formation. Face that other couple!
Cis Hinkle | Band? .

Three Ceremonies by Adriane Moser.

[BECKET: Slide-left to Ladies chain.]
[New] Ladies chain(8), into Mad-Robin(8) [Ladies slide-L in front of NBR].
Ladies pass right to start a full hey (8+8).
Ladies cross the set, passing right shoulders, to swing partner(4+12).
Long-lines(8). Circle left all way, then Slide-Left to new NBRs(8).
Jonathan King (no-walk-through) | Montage.
Jolaine Jones-Pokorney | Barnstorm.
Posted on the Callers mailing list was: “The published choreography has B1 as pass rt shoulder to gypsy partner, then swing.”

Waltz

2013 Nov 17, Sun.: Called the UFCC dance (UF Contra Club), 4PM-7PM (in the Rion Ballroom of the Reitz Student Union on the Univ. of Florida campus), with Just Twistin' Hay.

Actual Program: [Here is my planned program (with steps)]

Ted's Triplet #7 by Ted Sannella.

[Triplet, PROPER: Couples #1 (also called Active couple) #2#3]    abc
123

Top two couples turn partner by-the-R 1.5(8) 12c
ab3. Top two couples rights-and-lefts across(8) bac
213.

Active-couple [in middle place] turn contra-corners(4+4+4+4).

Active-couple bal&swing(4+12), end facing up, in middle bac
213.

Original active-couple lead up to the top and cast [around the outside] to the bottom(8). [Other couples scootch up a bit] All dosido partner(8) bca
231.

Dave Bateman. Seq. can be clearly viewed a 1:15.

Simplicity Swing by Becky Hill.

[IMPROPER: Identify ONEs/TWOs, and direction of progression.]
Nbr bal&swing(4+12).
Circle left 3-places(8). Partner swing(8).
Long-lines(8). Ladies chain [to nbr](8).
Star-L 4-places(8). Next Nbr dosido(8).
OR: A2: Long-lines and Gents take partner back to Gents side(8). Partner swing(8).
Jean Gorrindo | Celtic Spring. Linda Leslie, calling the give&take variant.

Frederick Contra by Tom Hinds.

[IMPROPER:]
(“New”)Gents dosido(8). Ladies allemand-L 1.5, to change places(8).
Partner bal&swing(4+12).
DTHall line4, ONEs next to TWOs(6), turn as a couple(2). Come back UTHall(6), bend the line(2)...
...Circle left 3-places(8). Nbr swing(8). Gents look for new gent on L-diagonal.

Heartbeat Contra by Don Flaherty.

[IMPROPER:]
Bal-the-ring then petronella(8). Bal-the-ring, petronella(8).
Bal-the-ring(4). Nbr swing(12) on the side.
Ladies  1.5 in the middle(8), partner swing(8) on the side.
Circle-left 3-places(8). Ring-bal(4), California twirl(4).
Hank Morris | Contraversial.

Cows are Watching by Bill Pope.

[BECKET: (Rev-progression dance.) Id DIR-PROG. Hands4, then rotate Right one click]
Long lines(8). Ladies R-allemand 1.5 (8).
Nbr Bal&swing(4+12).
Bal-the-ring(4). Gent rolls away his Partner, across the set [from L-to-R](4), as he sashays R-to-L. [He travels further than she, so as to start the weave.] As a couple, weave left(4), weave right(4) [so you've gone around just one couple].
Gents snag L-hands then L-allemand 1x(8). Swing partner(8).
Chattahoochee Country Dancers (CCD, Atlanta).
Sue Rosen | The Figments. Cis Hinkle | Troublesome Creek.

Snow Dance by Gene Hubert.

[IMPROPER: Shadows. Teaching: Pass-through one-couple so that folks have a couple to look for. (As usual, put lady on right.)]
[New nbrs, hand-4] Ring-balance(4), then ladies trade places passing R-shoulder(4). Ring-bal(4), with nbr California twirl [to face a new couple].
With new couple circle-left(8) [gents, your shadow is in your L-hand]. L-hand star(8). No one there?: Dance with ghost couple. OR, turn alone, wait with Gent on the RIGHT.
With partner bal&swing(4+12).
Rights-and-lefts across(8). Ladies chain(8).
Ruth Pershing. Darlene Underwood | Hotpoint.

Friday Night Fever by Tony Parkes.

[IMPROPER:]
Nbr Bal&Swing(4+12).
Gents Allemand-left 1.5 (8). Partner swing(8).
With partner, promenade across(8). Ladies chain(8).
[Face partner] Square-Through [Across the set: Prtnr R-hand bal and pull-by(4+2); w.nbr L-hand pull-by(2); w.prtnr bal and pull-by(4+2); w.nbr pull-by(2)], to face new NBR. Gents always turn right, ladies turn left.
Beth Molaro | Appalachian Storm.

---

Waltz and Break.

---

Not all Earthquakes are Andreas' Fault by Jonathan King. (July 2013)

[BECKET: The Earthquake! shakes you from the-one-you're-swinging to swinging-the-next. (Triple-Swing version, single-progression.)]
[Before becketizing: Id DIR-PROG. Pass through up-down, takes hands4 with the next; these are your current nbrs. Your Previous nbrs are behind you. Now BECKETIZE.]

Star-R 3-places(8). With new couple “your previous nbrs”, star-L all-the-way(8).

[Face orig. Nbr; ONEs down, TWOs up]  Square-Through [Nbr R-hand bal and pull-by(4+2); w.prtnr L-hand pull-by across(2); w.nbr R-hand bal and pull-by(4+2); w.prtnr pull-by across(2)], to face current nbr. In this Square-Through: Gents always turn right, ladies turn left.

Swing curr.nbr(8). “Earthquake! You swing the next!” Face away from the-one-you-swung, and swing the next(8) [in your Dir-Prog.].

Circle-left 3-places(8). Partner swing(8).

Written for my Cocoa Beach friend, Andreas. First called at his dance.

Weave the Line by Kathy Anderson.

[IMPROPER: Double-progression. 3 sets of nbrs]
Lefthand star(8) [sugg.: wrist-grip star]. [Reverse] Circle-left(8).
[Hang on to your partner] Veer left around NBRs#1, veer right around NBRs#2 (4+4). [As individuals] DoSiDo your nbr#3 (8).
[Look behind you] Bal&Swing(4+12) nbr#2.
Long lines(8). Actives swing(8) [“One's swing, Two's frame”.]
[Is this caller Tony Parkes?].

2013 Nov. 23, Sat., 8–11PM: Called the Tampa Friends of Old-Time Dance (Rhapsody Ballroom) with Just Twistin' Hay: Sharon Hartmann, Lee Simpson, David Clipp, and Ed White. .

My planned program (with steps), differs slightly from what I actually called:

Simplicity Swing by Becky Hill.

[IMPROPER: Identify ONEs/TWOs, and direction of progression.]
Nbr bal&swing(4+12).
Circle left 3-places(8). Partner swing(8).
Long-lines(8). Ladies chain [to nbr](8).
Star-L 4-places(8). Next Nbr dosido(8).
OR: A2: Long-lines and Gents take partner back to Gents side(8). Partner swing(8).
Jean Gorrindo | Celtic Spring. Linda Leslie, calling the give&take variant.

Frederick Contra by Tom Hinds.

[IMPROPER:]
(“New”)Gents dosido(8). Ladies allemand-L 1.5, to change places(8).
Partner bal&swing(4+12).
DTHall line4, ONEs next to TWOs(6), turn as a couple(2). Come back UTHall(6), bend the line(2)...
...Circle left 3-places(8). Nbr swing(8). Gents look for new gent on L-diagonal.

Heartbeat Contra by Don Flaherty.

[IMPROPER:]
Bal-the-ring then petronella(8). Bal-the-ring, petronella(8).
Bal-the-ring(4). Nbr swing(12) on the side.
Ladies  1.5 in the middle(8), partner swing(8) on the side.
Circle-left 3-places(8). Ring-bal(4), California twirl(4).
Hank Morris | Contraversial.

Cows are Watching by Bill Pope.

[BECKET: (Rev-progression dance.) Id DIR-PROG. Hands4, then rotate Right one click]
Long lines(8). Ladies R-allemand 1.5 (8).
Nbr Bal&swing(4+12).
Bal-the-ring(4). Gent rolls away his Partner, across the set [from L-to-R](4), as he sashays R-to-L. [He travels further than she, so as to start the weave.] As a couple, weave left(4), weave right(4) [so you've gone around just one couple].
Gents snag L-hands then L-allemand 1x(8). Swing partner(8).
Chattahoochee Country Dancers (CCD, Atlanta).
Sue Rosen | The Figments. Cis Hinkle | Troublesome Creek.

Snow Dance by Gene Hubert.

[IMPROPER: Shadows. Teaching: Pass-through one-couple so that folks have a couple to look for. (As usual, put lady on right.)]
[New nbrs, hand-4] Ring-balance(4), then ladies trade places passing R-shoulder(4). Ring-bal(4), with nbr California twirl [to face a new couple].
With new couple circle-left(8) [gents, your shadow is in your L-hand]. L-hand star(8). No one there?: Dance with ghost couple. OR, turn alone, wait with Gent on the RIGHT.
With partner bal&swing(4+12).
Rights-and-lefts across(8). Ladies chain(8).
Ruth Pershing. Darlene Underwood | Hotpoint.

Friday Night Fever by Tony Parkes.

[IMPROPER:]
Nbr Bal&Swing(4+12).
Gents Allemand-left 1.5 (8). Partner swing(8).
With partner, promenade across(8). Ladies chain(8).
[Face partner] Square-Through [Across the set: Prtnr R-hand bal and pull-by(4+2); w.nbr L-hand pull-by(2); w.prtnr bal and pull-by(4+2); w.nbr pull-by(2)], to face new NBR. Gents always turn right, ladies turn left.
Beth Molaro | Appalachian Storm.

---

Waltz and Break.

---

Not all Earthquakes are Andreas' Fault by Jonathan King. (July 2013)

[BECKET: The Earthquake! shakes you from the-one-you're-swinging to swinging-the-next. (Triple-Swing version, single-progression.)]
[Before becketizing: Id DIR-PROG. Pass through up-down, takes hands4 with the next; these are your current nbrs. Your Previous nbrs are behind you. Now BECKETIZE.]

Star-R 3-places(8). With new couple “your previous nbrs”, star-L all-the-way(8).

[Face orig. Nbr; ONEs down, TWOs up]  Square-Through [Nbr R-hand bal and pull-by(4+2); w.prtnr L-hand pull-by across(2); w.nbr R-hand bal and pull-by(4+2); w.prtnr pull-by across(2)], to face current nbr. In this Square-Through: Gents always turn right, ladies turn left.

Swing curr.nbr(8). “Earthquake! You swing the next!” Face away from the-one-you-swung, and swing the next(8) [in your Dir-Prog.].

Circle-left 3-places(8). Partner swing(8).

Written for my Cocoa Beach friend, Andreas. First called at his dance.

Petrozilla by Marty Fager.

[4-FACING-4:]
2c
B3
1d
A4
. Short-lines, forward and back(8). Swing your Corner(8). _c2_
1__d
B__3
_4A_
. (The lady in gent's L-hand)
“All four ladies, chain halfway.” _A2_
1__B
d__3
_4c_
. The four ladies do a righthand-star, halfway round(8), courtesy turn.
Hands-8, Petronella: Ring-balance(4), and Petronella spin one place to the right(4). _2B_
A__3
1__c
_d4_
.
Partner bal&swing(4+12) _B2_
1__c
A__3
_4d_
.
(Stand like a square, Heads 1,3, Sides,2,4, CCW: 1,4,3,2.) Sides pass-through and turn alone(4). Heads pass-through and turn alone(4). “Sides pass, heads pass!” _4d_
c__1
3__A
_B2_
.
Hands-8, Petronella(8) d_1
4_A
c_2
3_B
; end (“Look, behind you! ”) facing Dir-Prog.

Sweet Music by Amy Kahn.

[IMPROPER: Scoop the Lady]
Gents left allemand(8) once around, and keep going. Scoop your partner [to cross the set] and Butterfly Whirl(8).
Ladies start a full hey(16).
[As gents come back to their partner] Partner bal&swing(4+12).
Rights&Lefts across the set [courtesy turn](8), gent roll-away the Lady, R-hand star(8). [“Gents look left allemand.”]
Jonathan King | Barnstorm.
Caveman by Jim Hemphill, is similar.

Weave the Line by Kathy Anderson.

[IMPROPER: Double-progression. 3 sets of nbrs]
Lefthand star(8) [sugg.: wrist-grip star]. [Reverse] Circle-left(8).
[Hang on to your partner] Veer left around NBRs#1, veer right around NBRs#2 (4+4). [As individuals] DoSiDo your nbr#3 (8).
[Look behind you] Bal&Swing(4+12) nbr#2.
Long lines(8). Actives swing(8) [“One's swing, Two's frame”.]
[Is this caller Tony Parkes?].

2014 Mar 01, Sat., 8–11PM: Called the Cocoa Beach dance with The Rafter Ringers.

My planned program (with steps), differs, in the 2nd half, from what I actually called:

Frederick Contra by Tom Hinds.

[IMPROPER:]
(“New”)Gents dosido(8). Ladies allemand-L 1.5, to change places(8).
Partner bal&swing(4+12).
DTHall line4, ONEs next to TWOs(6), turn as a couple(2). Come back UTHall(6), bend the line(2)...
...Circle left 3-places(8). Nbr swing(8). Gents look for new gent on L-diagonal.

Mad Scatter by Rick Mohr.

[Scatter mixer: Couples in 4-somes or 6-somes or 8-somes]
Circle left(8). Dosido nbr(8).
Allemand-R partner 1.5 [sending ladies in](8). Ladies star-L, while Gents orbit CW(8).
Bal&swing new partner(4+12).
Promenade anywhere with new partner(16) [Find another group to circle with].
Any number of couples can be in the circle left, ditto the star-L.

Heartbeat Contra by Don Flaherty.

[IMPROPER:]
Bal-the-ring then petronella(8). Bal-the-ring, petronella(8).
Bal-the-ring(4). Nbr swing(12) on the side.
Ladies  1.5 in the middle(8), partner swing(8) on the side.
Circle-left 3-places(8). Ring-bal(4), California twirl(4).
Hank Morris | Contraversial.

Lordags Waltz.

[Circle-mixer waltz: Couples start in Varsouvienne psn, in a circle of couples, with the gents on the inside.]
F:=Fwd. Pattern: FBFF×4.
Danced 0:06.

A Pirate's Life for Me by Nathaniel Jack.

[IMPROPER: Id DIR-PROG for the ]
Nbr bal&swing(4+12).
Pass through to an ocean wave(4) [“pass the ocean”], bal-the-wave(4). Everyone spin/slide right, with Gents sliding two places to snag L-hands(3); Gents L-allemand to face partner(5).
Partner bal&swing(4+12).
Ladies dosido 1.5(8). current nbr(8), to face new nbr.
Nils Fredland | Perpetual e-Motion. Charlie Dyer | Briarpickers.

Friday Night Fever by Tony Parkes.

[IMPROPER:]
Nbr Bal&Swing(4+12).
Gents Allemand-left 1.5 (8). Partner swing(8).
With partner, promenade across(8). Ladies chain(8).
[Face partner] Square-Through [Across the set: Prtnr R-hand bal and pull-by(4+2); w.nbr L-hand pull-by(2); w.prtnr bal and pull-by(4+2); w.nbr pull-by(2)], to face new NBR. Gents always turn right, ladies turn left.
Beth Molaro | Appalachian Storm.

Holy Cow Moly by Brian DeMarcus. Coconut Cream Pie by Lynn Ackerson.

[4-FACING-4: (Any number of folk may join a star, even in a different line.)]
Lines-of-four, foward and back(8). Center 4 folk, star-R one time around, back to place(8).
Partner allemand-L 1.5 (8). Now: Other 4 folk, star-R back to place(8).
Partner bal&swing(4+12)
[Hands-8] Circle left halfway(8). Balance-the-ring, California twirl (4+4)
Dana Parkinson | Syncopaths.

---

Waltz and Break.

---

Small Potatoes by Jim Kitch.

[IMPROPER:]
With nbr, Bal&Swing(4+12).
R-hands-across--Star 1x (8). Ladies chain [to partner](8).
Ladies dosido(8). Partner swing(8).
Circle-left 3-places and pass thru(6+2), next nbr dosido(8).

Petrozilla by Marty Fager.

[4-FACING-4:]
2c
B3
1d
A4
. Short-lines, forward and back(8). Swing your Corner(8). _c2_
1__d
B__3
_4A_
. (The lady in gent's L-hand)
“All four ladies, chain halfway.” _A2_
1__B
d__3
_4c_
. The four ladies do a righthand-star, halfway round(8), courtesy turn.
Hands-8, Petronella: Ring-balance(4), and Petronella spin one place to the right(4). _2B_
A__3
1__c
_d4_
.
Partner bal&swing(4+12) _B2_
1__c
A__3
_4d_
.
(Stand like a square, Heads 1,3, Sides,2,4, CCW: 1,4,3,2.) Sides pass-through and turn alone(4). Heads pass-through and turn alone(4). “Sides pass, heads pass!” _4d_
c__1
3__A
_B2_
.
Hands-8, Petronella(8) d_1
4_A
c_2
3_B
; end (“Look, behind you! ”) facing Dir-Prog.

Oval-teen by Jonathan King. (July 2013)

[BECKET: At A2, explain the pattern: Gents allemand-L, oval-right; Ladies allemand-R, oval-left. In counting couples, count your own couple, when appropriate.]

[Slide-left to New Nbrs to...] Circle left 3-places(8). Nbr swing(8).
Gents allemand-L(8) [back to place].   Oval-right(8).
[You are across from your Partner, and same-gender Nbr; they are couple #1. Oval-R to past couple #2, #3, #4, and as you get to couple #5... (opposite gender in #5 is your “Distant Shadow”) Gents stop, Ladies get ready to...]
Ladies R-allemand with Lady #5 (8). Oval-left(8) [back to your original four-some, facing your Partner].
Circle left 3-places(8). Partner swing, and Slide-Left to face new Nbrs(8).
Written for my teen, Ruth, when she was 12, while driving to pick her up from Adventure Camp.

Three Ceremonies by Adriane Moser.

[BECKET: Slide-left to Ladies chain.]
[New] Ladies chain(8), into Mad-Robin(8) [Ladies slide-L in front of NBR].
Ladies pass right to start a full hey (8+8).
Ladies cross the set, passing right shoulders, to swing partner(4+12).
Long-lines(8). Circle left all way, then Slide-Left to new NBRs(8).
Jonathan King (no-walk-through) | Montage.
Jolaine Jones-Pokorney | Barnstorm.
Posted on the Callers mailing list was: “The published choreography has B1 as pass rt shoulder to gypsy partner, then swing.”

Dance