WarmUp
by Jerry Blum, Patti Gutwein, John Lenarduzz,
Kathryn C. Millis, Josh Moses, Dave Notman,
Bill Olson, Kate Power, Cary Ravitz.
[4-FACING-4: Has the “Awful ” move.]
In line facing you. The couple on the diagonal has your 1st-nbr. In the couple across from you is your 2nd-nbr. You are facing your “Original Direction”. , you have 3 swings, each ending facing a different direction. Your Partner-swing ends facing your original direction.
Lines-of-four, foward and back(8). Up/down: In little-groups-of-four, start a half-hey(8).
“All four , star halfway.” R-hands-across-star, halfway round till they see their 1st-nbr(8). Swing that nbr(8), ending facing across the set (i.e, like in long lines).
In your new little-groups-of-four, allemand-L 1.5(8) to their 2nd-nbr. Swing 2nd-nbr(8), ending facing Reverse Direction.
[Up/down in your new little-groups-of-four] Circle left 3-places(8). Swing partner, end facing Original Direction, in your line-of-four.
Its good if the music has an energy boost either on B1 [best] or A2. Also, kinda funky is good.
In line facing you. The couple on the diagonal has your 1st-nbr. In the couple across from you is your 2nd-nbr. You are facing your “Original Direction”. , you have 3 swings, each ending facing a different direction. Your Partner-swing ends facing your original direction.
Lines-of-four, foward and back(8). Up/down: In little-groups-of-four, start a half-hey(8).
“All four , star halfway.” R-hands-across-star, halfway round till they see their 1st-nbr(8). Swing that nbr(8), ending facing across the set (i.e, like in long lines).
In your new little-groups-of-four, allemand-L 1.5(8) to their 2nd-nbr. Swing 2nd-nbr(8), ending facing Reverse Direction.
Face partner, hands-4, circle left.
[Up/down in your new little-groups-of-four] Circle left 3-places(8). Swing partner, end facing Original Direction, in your line-of-four.
Its good if the music has an energy boost either on B1 [best] or A2. Also, kinda funky is good.
Fiddleheads
by Ted Sannella.
[IMPROPER into a DIAMOND]
TEACHING NOTES: Hand-4,
then #1- and #2- swing.
END EFFECT: The progression is Nbr-swing, in B2. TWOs, who progressed off the top, you are still Twos; when the Ones cross, a #1- will join you to make a diamond, but with no #1-.
Next time through the music, you have become ONES. This newly-minted #1- needs to cross the set and arc left. He will be facing-up in a full diamond.
ONEs pass-across the set [R-shoulders], then arc-left around one person [G-around-G, L-around-L] into the middle of the set, #1- facing down, #1- facing up, and takes hands-4 (8). [As the ONEs arc, the TWOs can come together and then push back.]
You form a diamond, #1- with his original twos, but #1- with the previous TWOs [who were above in the set]. Balance-the-ring, petronella (4+4).
Balance, petronella (4+4), with the ONEs doing an extra half-turn to face partner; swing!(8)
DTHall Line4, ONEs in the center, between the TWOs you started with. ONEs turn as a couple, TWOs turn alone (4+4).. UTHall Line4, ONEs hand-cast to below their TWOs (4+4).
[Hands-4]Circle left halfway [to original places], Nbr-swing on side (4+12). [Give yourself plenty of time to open out.]
I'm going to put you in the diamond formation. Hands-4, to the left, take one step; You've turned your ring 1/8-th. ONEs in the middle, G-facing-up L-facing-down, TWOs facing across. #1-, look behind you, up the hall, to the #1- in the previous diamond. That's where you need to be; #1-, drop hands to walk to her position, and take hands with that diamond.
END EFFECT: The progression is Nbr-swing, in B2. TWOs, who progressed off the top, you are still Twos; when the Ones cross, a #1- will join you to make a diamond, but with no #1-.
Next time through the music, you have become ONES. This newly-minted #1- needs to cross the set and arc left. He will be facing-up in a full diamond.
ONEs pass-across the set [R-shoulders], then arc-left around one person [G-around-G, L-around-L] into the middle of the set, #1- facing down, #1- facing up, and takes hands-4 (8). [As the ONEs arc, the TWOs can come together and then push back.]
You form a diamond, #1- with his original twos, but #1- with the previous TWOs [who were above in the set]. Balance-the-ring, petronella (4+4).
Balance, petronella (4+4), with the ONEs doing an extra half-turn to face partner; swing!(8)
DTHall Line4, ONEs in the center, between the TWOs you started with. ONEs turn as a couple, TWOs turn alone (4+4).. UTHall Line4, ONEs hand-cast to below their TWOs (4+4).
[Hands-4]Circle left halfway [to original places], Nbr-swing on side (4+12). [Give yourself plenty of time to open out.]
Tony Parkes | ?
Not all Earthquakes are Andreas' Fault
by Jonathan King.
(July 2013)
[BECKET: The
[Before becketizing: Id DIR-PROG. Pass through up-down, takes hands4 with the next; these are your current nbrs. Your Previous nbrs are behind you. Now BECKETIZE.]
Star-R 3-places(8). With new couple “your previous nbrs”, star-L all-the-way(8).
[Face orig. Nbr; ONEs down, TWOs up] Square-Through [Nbr R-hand bal and pull-by(4+2); w.prtnr L-hand pull-by across(2); w.nbr R-hand bal and pull-by(4+2); w.prtnr pull-by across(2)], to face current nbr. In this Square-Through: always turn right, turn left.
Swing curr.nbr(8). “Earthquake! You swing the next!” Face away from the-one-you-swung, and swing the next(8) [in your Dir-Prog.].
Circle-left 3-places(8). Partner swing(8).
Written for my Cocoa Beach friend, Andreas. First called at his dance.
Earthquake!shakes you from the-one-you're-swinging to swinging-the-next. (Triple-Swing version, single-progression.)]
[Before becketizing: Id DIR-PROG. Pass through up-down, takes hands4 with the next; these are your current nbrs. Your Previous nbrs are behind you. Now BECKETIZE.]
Star-R 3-places(8). With new couple “your previous nbrs”, star-L all-the-way(8).
[Face orig. Nbr; ONEs down, TWOs up] Square-Through [Nbr R-hand bal and pull-by(4+2); w.prtnr L-hand pull-by across(2); w.nbr R-hand bal and pull-by(4+2); w.prtnr pull-by across(2)], to face current nbr. In this Square-Through: always turn right, turn left.
Swing curr.nbr(8). “Earthquake! You swing the next!” Face away from the-one-you-swung, and swing the next(8) [in your Dir-Prog.].
Circle-left 3-places(8). Partner swing(8).
Written for my Cocoa Beach friend, Andreas. First called at his dance.
