[IMPROPER: Identify ONEs/TWOs, and direction of progression.]
Nbr bal&swing(4+12).
Circle left 3-places(8). Partner swing(8).
Long-lines(8). chain [to nbr](8).
Star-L 4-places(8). Next Nbr dosido(8).
OR: A2: Long-lines and take partner back to side(8). Partner swing(8).
Jean Gorrindo | Celtic Spring. Linda Leslie, calling the give&take variant.

[IMPROPER:]
(“New”) dosido(8). allemand-L 1.5, to change places(8).
Partner bal&swing(4+12).
DTHall line4, ONEs next to TWOs(6), turn as a couple(2). Come back UTHall(6), bend the line(2)...
...Circle left 3-places(8). Nbr swing(8). look for new on L-diagonal.

[IMPROPER:]
Bal-the-ring then petronella(8). Bal-the-ring, petronella(8).
Bal-the-ring(4). Nbr swing(12) on the side.
 1.5 in the middle(8), partner swing(8) on the side.
Circle-left 3-places(8). Ring-bal(4), California twirl(4).
Hank Morris | Contraversial.

[IMPROPER: Identify DIR-of-PROG(!) for the ]

Nbr bal&swing(4+12).
Pass through to an ocean wave(4) [“pass the ocean”], bal-the-wave(4). Everyone spin/slide right, with sliding past two people to snag L-hands(3); L-allemand to face partner(5).
Partner bal&swing(4+12).
dosido 1.5(8). current nbr(8), to face new nbr.
Nils Fredland | Perpetual e-Motion. Charlie Dyer | Briarpickers.

[IMPROPER: Shadows. Teaching: Pass-through one-couple so that folks have a couple to look for. (As usual, put on right.)]
[New nbrs, hand-4] Ring-balance(4), then trade places passing R-shoulder(4). Ring-bal(4), with nbr California twirl [to face a new couple].
With new couple circle-left(8) [, your shadow is in your L-hand]. L-hand star(8). No one there?: Dance with ghost couple. OR, turn alone, wait with on the RIGHT.
With partner bal&swing(4+12).
Rights-and-lefts across(8). chain(8).
Ruth Pershing. Darlene Underwood | Hotpoint.

[IMPROPER:]
Nbr Bal&Swing(4+12).
Allemand-left 1.5 (8). Partner swing(8).
With partner, promenade across(8). chain(8).
[Face partner] Square-Through [Across the set: Prtnr R-hand bal and pull-by(4+2); w.nbr L-hand pull-by(2); w.prtnr bal and pull-by(4+2); w.nbr pull-by(2)], to face new NBR. always turn right, turn left.
Beth Molaro | Appalachian Storm.

[BECKET: Slide-left to chain.]
[New] chain(8), into Mad-Robin(8) [ slide-L in front of NBR].
pass right to start a full hey (8+8).
cross the set, passing right shoulders, to swing partner(4+12).
Long-lines(8). Circle left all way, then Slide-Left to new NBRs(8).
Jonathan King (no-walk-through) | Montage.
Jolaine Jones-Pokorney | Barnstorm.
Posted on the Callers mailing list was: “The published choreography has B1 as pass rt shoulder to gypsy partner, then swing.”

[BECKET: The Earthquake! shakes you from the-one-you're-swinging to swinging-the-next. (Triple-Swing version, single-progression.)]
[Before becketizing: Id DIR-PROG. Pass through up-down, takes hands4 with the next; these are your current nbrs. Your Previous nbrs are behind you. Now BECKETIZE.]

Star-R 3-places(8). With new couple “your previous nbrs”, star-L all-the-way(8).

[Face orig. Nbr; ONEs down, TWOs up]  Square-Through [Nbr R-hand bal and pull-by(4+2); w.prtnr L-hand pull-by across(2); w.nbr R-hand bal and pull-by(4+2); w.prtnr pull-by across(2)], to face current nbr. In this Square-Through: always turn right, turn left.

Swing curr.nbr(8). “Earthquake! You swing the next!” Face away from the-one-you-swung, and swing the next(8) [in your Dir-Prog.].

Circle-left 3-places(8). Partner swing(8).

Written for my Cocoa Beach friend, Andreas. First called at his dance.

[4-FACING-4:]
2c
B3
1d
A4
. Short-lines, forward and back(8). Swing your Corner(8). _c2_
1__d
B__3
_4A_
. (The in 's L-hand)
“All four , chain halfway.” _A2_
1__B
d__3
_4c_
. The four do a righthand-star, halfway round(8), courtesy turn.
Hands-8, Petronella: Ring-balance(4), and Petronella spin one place to the right(4). _2B_
A__3
1__c
_d4_
.
Partner bal&swing(4+12) _B2_
1__c
A__3
_4d_
.
(Stand like a square, Heads 1,3, Sides,2,4, CCW: 1,4,3,2.) Sides pass-through and turn alone(4). Heads pass-through and turn alone(4). “Sides pass, heads pass!” _4d_
c__1
3__A
_B2_
.
Hands-8, Petronella(8) d_1
4_A
c_2
3_B
; end (“Look, behind you! ”) facing Dir-Prog.

[4-FACING-4: Has the “Awful ” move.]
In line facing you. The couple on the diagonal has your 1^st-nbr. In the couple across from you is your 2^nd-nbr. You are facing your “Original Direction”. , you have 3 swings, each ending facing a different direction. Your Partner-swing ends facing your original direction.

Lines-of-four, foward and back(8). Up/down: In little-groups-of-four, start a half-hey(8).
“All four , star halfway.” R-hands-across-star, halfway round till they see their 1^st-nbr(8). Swing that nbr(8), ending facing across the set (i.e, like in long lines).

In your new little-groups-of-four, allemand-L 1.5(8) to their 2^nd-nbr. Swing 2^nd-nbr(8), ending facing Reverse Direction. Face partner, hands-4, circle left.

[Up/down in your new little-groups-of-four] Circle left 3-places(8). Swing partner, end facing Original Direction, in your line-of-four.
Its good if the music has an energy boost either on B1 [best] or A2. Also, kinda funky is good.

[IMPROPER: Scoop the ]
left allemand(8) once around, and keep going. Scoop your partner [to cross the set] and Butterfly Whirl(8).
start a full hey(16).
[As come back to their partner] Partner bal&swing(4+12).
Rights&Lefts across the set [courtesy turn](8), roll-away the , R-hand star(8). [“ look left allemand.”]
Jonathan King | Barnstorm.
Caveman by Jim Hemphill, is similar.

[IMPROPER: Double-progression. 3 sets of nbrs]
Lefthand star(8) [sugg.: wrist-grip star]. [Reverse] Circle-left(8).
[Hang on to your partner] Veer left around NBRs#1, veer right around NBRs#2 (4+4). [As individuals] DoSiDo your nbr#3 (8).
[Look behind you] Bal&Swing(4+12) nbr#2.
Long lines(8). Actives swing(8) [“One's swing, Two's frame”.]
[Is this caller Tony Parkes?].