[IMPROPER:]
(“New”)Gents dosido(8). Ladies allemand-L 1.5, to change places(8).
Partner bal&swing(4+12).
DTHall line4, ONEs next to TWOs(6), turn as a couple(2). Come back UTHall(6), bend the line(2)...
...Circle left 3-places(8). Nbr swing(8). Gents look for new gent on L-diagonal.

[IMPROPER: Identify ONEs/TWOs, and direction of progression.]
Nbr bal&swing(4+12).
Circle left 3-places(8). Partner swing(8).
Long-lines(8). Ladies chain [to nbr](8).
Star-L 4-places(8). Next Nbr dosido(8).
OR: A2: Long-lines and Gents take partner back to Gents side(8). Partner swing(8).
Jean Gorrindo | Celtic Spring. Linda Leslie, calling the give&take variant.

[BECKET: ID-dir-prog, THEN Becketize! Huge oval circle. ]
[Same two] Ladies chain(8). Long lines(8); keep hands, and connect at the ends to make a huge oval.
Oval right(8) [“Ovaltine”]. Oval left(8) [“OvalTang”].
[Original foursomes] Circle-left(8). [C'mon back with a] Left-hand star(8) all the way around [Gent in front of his partner].
[Ladies look right and] Allemand-R the new nbr-lady coming toward you(8). Partner-swing(8), on the side.
Jonathan King, Footloose. Called as no-walk-through. Caller? | Band?.

[IMPROPER:]
Nbr Bal&Swing(4+12).
Gents Allemand-left 1.5 (8). Partner swing(8).
With partner, promenade across(8). Ladies chain(8).
[Face partner] Square-Through [Across the set: Prtnr R-hand bal and pull-by(4+2); w.nbr L-hand pull-by(2); w.prtnr bal and pull-by(4+2); w.nbr pull-by(2)], to face new NBR. Gents always turn right, ladies turn left.
Beth Molaro | Appalachian Storm.

[BECKET: [First, memorize DIR-PROG, to find new NBRs, for RH_star. Now Becketize, hands in long lines, join at ends to make a huge Oval. Partner in one hand, Shadow in the other.]

R-star all-the-way-around (8). Ladies look left to find Shadow. Shadow L-allemand(8).
Partner bal&swing(4+12).
Ladies chain(8). Ladies start half-hey(8). [As Gents finish crossing the set, melt into a...]
...Nbr swing(8). Gents “Left-shoulder Hey” [a half-hey](8). Gents pass L-shoulder, then R-shoulder with partner, then looks right, and sticks out R-arm, ready for the star-R with new nbrs. Each Lady passes R-shoulder w.partner, then does a with the other lady, till she sees her partner's back; hook on to him and make a R-hand star with New Nbrs.
A modification of: The Ritz by Gene Hubert.

A video of the dance being developed, to recorded music by Groovemongers:
2nd run (JK calling/dancing); taught as Becket dance, 24Aug2014.
1st run; taught as Improper dance, 27July2014.

[4-FACING-4: (Any number of folk may join a star, even in a different line.)]
Lines-of-four, foward and back(8). Center 4 folk, star-R one time around, back to place(8).
Partner allemand-L 1.5 (8). Now: Other 4 folk, star-R back to place(8).
Partner bal&swing(4+12)
[Hands-8] Circle left halfway(8). Balance-the-ring, California twirl (4+4)
Dana Parkinson | Syncopaths.

[IMPROPER:]
With nbr, Bal&Swing(4+12).
R-hands-across--Star 1x (8). Ladies chain [to partner](8).
Ladies dosido(8). Partner swing(8).
Circle-left 3-places and pass thru(6+2), next nbr dosido(8).

[IMPROPER: Double-progression. 3 sets of nbrs]
Lefthand star(8) [sugg.: wrist-grip star]. [Reverse] Circle-left(8).
[Hang on to your partner] Veer left around NBRs#1, veer right around NBRs#2 (4+4). [As individuals] DoSiDo your nbr#3 (8).
[Look behind you] Bal&Swing(4+12) nbr#2.
Long lines(8). Actives swing(8) [“One's swing, Two's frame”.]
[Is this caller Tony Parkes?].

[IMPROPER: Id DIR-PROG for the ]
Nbr bal&swing(4+12).
Pass through to an ocean wave(4) [“pass the ocean”], bal-the-wave(4). Everyone spin/slide right, with Gents sliding two places to snag L-hands(3); Gents L-allemand to face partner(5).
Partner bal&swing(4+12).
Ladies dosido 1.5(8). current nbr(8), to face new nbr.
Nils Fredland | Perpetual e-Motion. Charlie Dyer | Briarpickers.

[IMPROPER:]
Ring-bal, petronella(4+4), partner swing(8).
Ring-bal, petronella(4+4), nbr swing(8).
DTHall line4 [ONEs in the center], turn alone(6+2), UTHall, bend line(6+2). 4-by-4 go down the floor
Circle left all the way(8). Ring-bal(4), Cal-twirl(4).
Bob Isaacs | Crowfoot. See 4:20-4:42.
Jonathan King | Flying Turtles. Contra till 2:53, then a waltz.