[IMPROPER:]
(“New”)Gents dosido(8). Ladies allemand-L 1.5, to change places(8).
Partner bal&swing(4+12).
DTHall line4, ONEs next to TWOs(6), turn as a couple(2). Come back UTHall(6), bend the line(2)...
...Circle left 3-places(8). Nbr swing(8). Gents look for new gent on L-diagonal.

[Scatter mixer: Couples in 4-somes or 6-somes or 8-somes]
Circle left(8). Dosido nbr(8).
Allemand-R partner 1.5 [sending ladies in](8). Ladies star-L, while Gents orbit CW(8).
Bal&swing new partner(4+12).
Promenade anywhere with new partner(16) [Find another group to circle with].
Any number of couples can be in the circle left, ditto the star-L.

[IMPROPER:]
Bal-the-ring then petronella(8). Bal-the-ring, petronella(8).
Bal-the-ring(4). Nbr swing(12) on the side.
Ladies  1.5 in the middle(8), partner swing(8) on the side.
Circle-left 3-places(8). Ring-bal(4), California twirl(4).
Hank Morris | Contraversial.

[Circle-mixer waltz: Couples start in Varsouvienne psn, in a circle of couples, with the gents on the inside.]
F:=Fwd. Pattern: FBFF×4.
Danced 0:06.

[IMPROPER: Id DIR-PROG for the ]
Nbr bal&swing(4+12).
Pass through to an ocean wave(4) [“pass the ocean”], bal-the-wave(4). Everyone spin/slide right, with Gents sliding two places to snag L-hands(3); Gents L-allemand to face partner(5).
Partner bal&swing(4+12).
Ladies dosido 1.5(8). current nbr(8), to face new nbr.
Nils Fredland | Perpetual e-Motion. Charlie Dyer | Briarpickers.

[IMPROPER:]
Nbr Bal&Swing(4+12).
Gents Allemand-left 1.5 (8). Partner swing(8).
With partner, promenade across(8). Ladies chain(8).
[Face partner] Square-Through [Across the set: Prtnr R-hand bal and pull-by(4+2); w.nbr L-hand pull-by(2); w.prtnr bal and pull-by(4+2); w.nbr pull-by(2)], to face new NBR. Gents always turn right, ladies turn left.
Beth Molaro | Appalachian Storm.

[4-FACING-4: (Any number of folk may join a star, even in a different line.)]
Lines-of-four, foward and back(8). Center 4 folk, star-R one time around, back to place(8).
Partner allemand-L 1.5 (8). Now: Other 4 folk, star-R back to place(8).
Partner bal&swing(4+12)
[Hands-8] Circle left halfway(8). Balance-the-ring, California twirl (4+4)
Dana Parkinson | Syncopaths.

[BECKET: The Earthquake! shakes you from the-one-you're-swinging to swinging-the-next. (Triple-Swing version, single-progression.)]
[Before becketizing: Id DIR-PROG. Pass through up-down, takes hands4 with the next; these are your current nbrs. Your Previous nbrs are behind you. Now BECKETIZE.]

Star-R 3-places(8). With new couple “your previous nbrs”, star-L all-the-way(8).

[Face orig. Nbr; ONEs down, TWOs up]  Square-Through [Nbr R-hand bal and pull-by(4+2); w.prtnr L-hand pull-by across(2); w.nbr R-hand bal and pull-by(4+2); w.prtnr pull-by across(2)], to face current nbr. In this Square-Through: Gents always turn right, ladies turn left.

Swing curr.nbr(8). “Earthquake! You swing the next!” Face away from the-one-you-swung, and swing the next(8) [in your Dir-Prog.].

Circle-left 3-places(8). Partner swing(8).

Written for my Cocoa Beach friend, Andreas. First called at his dance.

[4-FACING-4, Becket. (Take hands4 with couple in front of you, turn it one click to the left.) Before becketizing, identify your “Travel Buddies ” in your short line4. Crooked tune, 16×5=80 beats]
Circle left 3-places(6), Face up and down Pass thru and swing the next to a new set(2), to Swing your new nbr(8). [End in BECKET, facing partner, next to nbr, in two groups-of-four.]
[Four] Long lines, fwd&back(8). Gents allemand-L 1.5 into(8)… a long Wavy line of eight folk, your partner in your R-hand.
Rory O'More [wavy-bal, R-L, slide right catch L-hands, bal L-R, slide left, snag R-hands](4+4+4+4).
Partner Pull-by, Hey! Major [or Half] Hey-for-Eight(16). Keep on going till you see your Partner.
Partner bal&swing(4+12); end in Becket formation. Face that other couple!
Cis Hinkle | Band? .

[4-FACING-4:]
2c
B3
1d
A4
. Short-lines, forward and back(8). Swing your Corner(8). _c2_
1__d
B__3
_4A_
. (The lady in gent's L-hand)
“All four ladies, chain halfway.” _A2_
1__B
d__3
_4c_
. The four ladies do a righthand-star, halfway round(8), courtesy turn.
Hands-8, Petronella: Ring-balance(4), and Petronella spin one place to the right(4). _2B_
A__3
1__c
_d4_
.
Partner bal&swing(4+12) _B2_
1__c
A__3
_4d_
.
(Stand like a square, Heads 1,3, Sides,2,4, CCW: 1,4,3,2.) Sides pass-through and turn alone(4). Heads pass-through and turn alone(4). “Sides pass, heads pass!” _4d_
c__1
3__A
_B2_
.
Hands-8, Petronella(8) d_1
4_A
c_2
3_B
; end (“Look, behind you! ”) facing Dir-Prog.

[BECKET: At A2, explain the pattern: Gents allemand-L, oval-right; Ladies allemand-R, oval-left. In counting couples, count your own couple, when appropriate.]

[Slide-left to New Nbrs to...] Circle left 3-places(8). Nbr swing(8).
Gents allemand-L(8) [back to place].   Oval-right(8).
[You are across from your Partner, and same-gender Nbr; they are couple #1. Oval-R to past couple #2, #3, #4, and as you get to couple #5... (opposite gender in #5 is your “Distant Shadow”) Gents stop, Ladies get ready to...]
Ladies R-allemand with Lady #5 (8). Oval-left(8) [back to your original four-some, facing your Partner].
Circle left 3-places(8). Partner swing, and Slide-Left to face new Nbrs(8).
Written for my teen, Ruth, when she was 12, while driving to pick her up from Adventure Camp.

[IMPROPER: Pousette.]
(8). Mad-Robin [Gent slides-left behind nbr-lady as she slides-right, all back to place](8).
Half-Pousette clockwise, Gents start backing-up(8). Gents start half-hey, passing L-shoulder with other Gent(8). [Ladies will end-up across the set.]
Gents cross one more time, passing L-shoulders (4), to swing partner(12).
Ladies chain to nbr(8). Star-L all the way, to new nbrs(8).
Erik writes: “This is one of the most flowing dances I've written (2007...?) and dancers have expressed appreciation for the connectedness and satisfying feel. After the half pousette with partner, the women should let go and take a step back and to the left in order to leave room in the middle for the men to begin the hey. The timing of this dance has been described as squishy, which is ok. Encourage dancers to stretch out the Mad Robin, the Pousette and the Hey and use all the music provided.”.
Rebecca Lay | Magic Foot.