[IMPROPER:]
(“New”)Gents dosido(8). Ladies allemand-L 1.5, to change places(8).
Partner bal&swing(4+12).
DTHall line4, ONEs next to TWOs(6), turn as a couple(2). Come back UTHall(6), bend the line(2)...
...Circle left 3-places(8). Nbr swing(8). Gents look for new gent on L-diagonal.

[Scatter mixer: Couples in 4-somes or 6-somes or 8-somes]
Circle left(8). Dosido nbr(8).
Allemand-R partner 1.5 [sending ladies in](8). Ladies star-L, while Gents orbit CW(8).
Bal&swing new partner(4+12).
Promenade anywhere with new partner(16) [Find another group to circle with].
Any number of couples can be in the circle left, ditto the star-L.

[IMPROPER: Shadows. Teaching: Pass-through one-couple so that folks have a couple to look for. (As usual, put lady on right.)]
[New nbrs, hand-4] Ring-balance(4), then ladies trade places passing R-shoulder(4). Ring-bal(4), with nbr California twirl [to face a new couple].
With new couple circle-left(8) [gents, your shadow is in your L-hand]. L-hand star(8). No one there?: Dance with ghost couple. OR, turn alone, wait with Gent on the RIGHT.
With partner bal&swing(4+12).
Rights-and-lefts across(8). Ladies chain(8).
Ruth Pershing. Darlene Underwood | Hotpoint.

[BECKET: ID-dir-prog, THEN Becketize! Huge oval circle. ]
[Same two] Ladies chain(8). Long lines(8); keep hands, and connect at the ends to make a huge oval.
Oval right(8) [“Ovaltine”]. Oval left(8) [“OvalTang”].
[Original foursomes] Circle-left(8). [C'mon back with a] Left-hand star(8) all the way around [Gent in front of his partner].
[Ladies look right and] Allemand-R the new nbr-lady coming toward you(8). Partner-swing(8), on the side.
Jonathan King, Footloose. Called as no-walk-through. Caller? | Band?.

[BECKET: (Rev-progression dance.) Id DIR-PROG. Hands4, then rotate Right one click]
Long lines(8). Ladies R-allemand 1.5 (8).
Nbr Bal&swing(4+12).
Bal-the-ring(4). Gent rolls away his Partner, across the set [from L-to-R](4), as he sashays R-to-L. [He travels further than she, so as to start the weave.] As a couple, weave left(4), weave right(4) [so you've gone around just one couple].
Gents snag L-hands then L-allemand 1x(8). Swing partner(8).
Chattahoochee Country Dancers (CCD, Atlanta).
Sue Rosen | The Figments. Cis Hinkle | Troublesome Creek.

[IMPROPER:]
Nbr Bal&Swing(4+12).
Gents Allemand-left 1.5 (8). Partner swing(8).
With partner, promenade across(8). Ladies chain(8).
[Face partner] Square-Through [Across the set: Prtnr R-hand bal and pull-by(4+2); w.nbr L-hand pull-by(2); w.prtnr bal and pull-by(4+2); w.nbr pull-by(2)], to face new NBR. Gents always turn right, ladies turn left.
Beth Molaro | Appalachian Storm.

[IMPROPER:]
With nbr, Bal&Swing(4+12).
R-hands-across--Star 1x (8). Ladies chain [to partner](8).
Ladies dosido(8). Partner swing(8).
Circle-left 3-places and pass thru(6+2), next nbr dosido(8).

[4-FACING-4: Has the “Awful Ladies” move.]
In line facing you. The couple on the diagonal has your 1^st-nbr. In the couple across from you is your 2^nd-nbr. You are facing your “Original Direction”. Gents, you have 3 swings, each ending facing a different direction. Your Partner-swing ends facing your original direction.
Lines-of-four, foward and back(8). Up/down: In little-groups-of-four, ladies start a half-hey(8).
“All four ladies, chain halfway.” The four ladies do a R-hands-across-star, halfway round till they see their first-nbr(8). Swing that nbr(8), ending facing across the set (i.e, like in long lines).
In your new little-groups-of-four, gents allemand-L 1.5(8) to your second-nbr. Swing second-nbr(8), ending facing Reverse Direction. Face your partner, hands-4, circle left.
[Up/down in your new little-groups-of-four] Circle left 3-places(8). Swing partner, end facing Original Direction, in your line-of-four.
Its good if the music has an energy boost either on B1 [best] or A2. Also, kinda funky is good.

[IMPROPER: Id DIR-PROG for the ]
Nbr bal&swing(4+12).
Pass through to an ocean wave(4) [“pass the ocean”], bal-the-wave(4). Everyone spin/slide right, with Gents sliding two places to snag L-hands(3); Gents L-allemand to face partner(5).
Partner bal&swing(4+12).
Ladies dosido 1.5(8). current nbr(8), to face new nbr.
Nils Fredland | Perpetual e-Motion. Charlie Dyer | Briarpickers.

[IMPROPER: Double-progression. 3 sets of nbrs]
Lefthand star(8) [sugg.: wrist-grip star]. [Reverse] Circle-left(8).
[Hang on to your partner] Veer left around NBRs#1, veer right around NBRs#2 (4+4). [As individuals] DoSiDo your nbr#3 (8).
[Look behind you] Bal&Swing(4+12) nbr#2.
Long lines(8). Actives swing(8) [“One's swing, Two's frame”.]
[Is this caller Tony Parkes?].

[BECKET: Slide-left to Ladies chain.]
[New] Ladies chain(8), into Mad-Robin(8) [Ladies slide-L in front of NBR].
Ladies pass right to start a full hey (8+8).
Ladies cross the set, passing right shoulders, to swing partner(4+12).
Long-lines(8). Circle left all way, then Slide-Left to new NBRs(8).
Jonathan King (no-walk-through) | Montage.
Jolaine Jones-Pokorney | Barnstorm.
Posted on the Callers mailing list was: “The published choreography has B1 as pass rt shoulder to gypsy partner, then swing.”

[IMPROPER: Scoop the Lady]
Gents left allemand(8) once around, and keep going. Scoop your partner [to cross the set] and Butterfly Whirl(8).
Ladies start a full hey(16).
[As gents come back to their partner] Partner bal&swing(4+12).
Rights&Lefts across the set [courtesy turn](8), gent roll-away the Lady, R-hand star(8). [“Gents look left allemand.”]
Jonathan King | Barnstorm.
Caveman by Jim Hemphill, is similar.